BOOKS

Amanda Harris, Linda Barwick and Jakelin Troy. (2022). Music Dance and the Archive. Sydney. Sydney University Press. https://open.sydneyuniversitypress.com.au/9781743328675.html

Harris, Amanda. (with contributions from Shannon Foster, Tiriki Onus and Nardi Simpson). (2020). Representing Australian Aboriginal Music and Dance 1930-1970. New York: Bloomsbury Academic & Professional. https://doi.org/10.5040/9781501362965

Barwick, Linda, Sharon Huebner, Lyndon Ormond-Parker and Sally Treloyn, Eds. (2021). Reclaiming Archives. Journal Special Issue of Preservation, Digital Technology and Culture, 50(3-4). Berlin, De Gruyter. https://doi.org/10.1515/pdtc-2022-0008

Laura Rademaker, Ann McGrath and Jakelin Troy. (2023). Everywhen: Australia and the Language of Deep History. Lincoln, University of Nebraska Press. www.nebraskapress.unl.edu/nebraska/9781496227287/

Barwick, L., Green, J., Vaarzon-Morel, P. (2020). Archival Returns: Central Australia and Beyond. Sydney, Australia: Sydney University Press. nflrc.hawaii.edu/ldc/sp18

Tohmo, Kristina, Johanna Perheentupa and Matt Poll. (2020) 'Objects Collecting People'. Finland, Helinä Rautavaara Museum. issuu.com/rautavaarahelina/docs/ocp_151020

Jacqueline Shea-Murphy. (2022). Dancing Indigneous Worlds: Choreographies of Relation. Minneapolis, University of Minnesota Press. www.upress.umn.edu/book-division/books/dancing-indigenous-worlds

BOOK CHAPTERS

2022-23

Barwick, Linda. (2023). "Songs of the Deep Present," in L. Rademaker, A. McGrath and J. Troy, Everywhen: Australia and the Language of Deep History. Lincoln, University of Nebraska Press.

Troy, Jakelin. (2023). "Standing on the ground and writing on the sky: An Indigenous exploration of place, time and histories," in L. Rademaker, A. McGrath and J. Troy, Everywhen: Australia and the Language of Deep History. Lincoln, University of Nebraska Press.

Campbell, Genevieve, Matt Poll, Jacinta Tipungwuti and Amanda Harris. (2022). "Animating Cultural Heritage Knowledge Through Songs: Museums, Archives, Consultation and Tiwi Music," in Amanda Harris, Linda Barwick and Jakelin Troy (Eds.). Music Dance and the Archive. Sydney, Sydney University Press. 55-79. https://open.sydneyuniversitypress.com.au/9781743328675.html

Gray, Jack and Jacqueline Shea-Murphy. (2022). "Dancing with Ruatepupke: From Object to Object," in Amanda Harris, Linda Barwick and Jakelin Troy (Eds.). Music Dance and the Archive. Sydney, Sydney University Press. 39-55. https://open.sydneyuniversitypress.com.au/9781743328675.html

Harris, Amanda, Linda Barwick and Jakelin Troy. (2022). "Embodied Culture and the Limits of the Archive," in Amanda Harris, Linda Barwick and Jakelin Troy (Eds.). Music Dance and the Archive. Sydney, Sydney University Press. 1-15. https://open.sydneyuniversitypress.com.au/9781743328675.html

2021

Charles, Rona Goonginda, and Sally Treloyn. (2021). “Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone." In Transforming Ethnomusicology, Volume II. New York: Oxford University Press. https://doi.org/10.1093/oso/9780197517550.003.0009

Foster, Shannon & Harris, Amanda (2021), 'Informing practice through collaboration: listening to colonising histories and Aboriginal music' in Reid, Anna, Peres Da Costa, Neal, Carrigan, Jeanell (eds.), Creative Research in Music: Informed practice, innovation and transcendence, Routledge, Abingdon, 82-92. https://doi.org/10.4324/9780429278426

Huebner, Sharon and Ezzard Flowers. (2021). The Relational Language of First Nations Cultural Sensibilities, Principles and Storytelling Ethics as an Intercultural Approach to Script Development' in Stayci Taylor & Craig Batty (Eds.), The Palgrave Handbook of Script Development. Switzerland Springer Nature Switzerland AG. 229-250. https://doi.org/10.1007/978-3-030-82234-7

Poll, Matt. (2021) 'Not just a bark' in Rebecca J. Conway (ed.) Djalkiri: Yolŋu art, collaborations and collections. Sydney University Press, Sydney. 282-91. https://doi.org/10.30722/sup.9781743327272

Poll, Matt. (2021) 'You are on Aboriginal land: interpreting gifts of stone' in Gaye Sculthorpe, Maria Nugent and Howard Morphy (eds.), Ancestors, Artefacts, Empire: Indigenous Australia in British and Irish museums. The British Museum Press, London. 96-103.

2020

Harris, Amanda (2020) "Localizing Aboriginal and Pacific Performance on Internationalized Stages, 1967-73". In Theatre and Internationalization, Ulrike Garde and John R Severn (eds) Abingdon, UK: Routledge, 72-87. https://doi.org/10.4324/9781003028406

Barwick, L., Green, J., Vaarzon-Morel, P., Zisserman, K. (2020). Conundrums and consequences: Doing digital archival returns in Australia. In Linda Barwick, Jennifer Green, and Petronella Vaarzon-Morel (Eds.), Archival Returns: Central Australia and Beyond, (pp. 1-28). Sydney, Australia: Sydney University Press.

Onus, Tiriki, (2020). “Interlude” in A. Harris, Representing Aboriginal Music and Dance 1930-70. New York: Bloomsbury Academic, pp. 85-92. https://doi.org/10.5040/9781501362965

Ormond-Parker, Lyndon, Neil Carter, Cressida Fforde, Gareth Knapman, and Wes Morris. (2020), "Repatriation in the Kimberley: Practice, Approach, and Contextual History" in Cressida Fforde, C. Timothy McKeown, Honor Keeler (eds.), The Routledge Companion to Indigenous Repatriation, 1st ed. Routledge, Abingdon, 165-187. https://doi.org/10.4324/9780203730966

2019 and 2018.

Shea-Murphy, Jacqueline (2019), "Hashtag Mitimiti: Reciprocities of Indigenized Dance" in Gabriele Brandstetter, Gerko Egert, Holger Hartung (eds.), Movements of Interweaving, 1st ed. Routledge, Abingdon, 70-89. https://doi.org/10.4324/9781351128469-4doi.org/10.4324/9781351128469-4

Shea-Murphy, Jacqueline. (2018). "Dancing in the Here and Now: Indigenous Presence and the Contemporary Choreography of Emily Johnson/Catalyst and DANCING EARTH," in Oxford Handbook of Dance and Politics. Eds. Rebekah Kowal, Gerald Siegmund and Randy Martin. New York, Oxford University Press: 535-557. https://doi.org/10.1093/oxfordhb/9780199928187.013.26

Shea-Murphy, Jacqueline (2018), "Have They a Right?: Nineteenth-Century Indian Dance Practices and Federal Policy" in Jens Richard Giersdorf and Yutian Wong (eds.), The People Have Never Stopped Dancing - Reworked for: The Routledge Dance Studies Reader, 3rd Edition. Routledge, London.

JOURNAL ARTICLES

2023

Harris, Amanda, Tiriki Onus and Linda Barwick. "Performing Aboriginal Workers' Rights in 1951: From the Top End to Australia's Southeast". Australian Journal of Politics and History V69:2 (2023) pp.227-247 https://doi.org/10.1111/ajph.12823.

2022

Poll, Matt and Amanda Harris, "Bark paintings as ambassadors, 1948-1963, and the circle back to Aboriginal cultural agency", Aboriginal History, V45, (2022) pp. 57-82, . https://doi.org/10.22459/AH.45.2021
Treloyn, Sally. "Intergenerational Knowledges: Change and Continuity in Music Transmission and Ethnomusicological Praxis." Music Research Annual 3: 1-27 (2022). ISSN 2563-7290. https://musicresearchannual.org/treloyn-intergenerational-knowledges-2/

2021

Barwick, Linda, Huebner, Sharon, Ormond-Parker, Lyndon and Treloyn, Sally. "Reclaiming archives: guest editorial" Preservation, Digital Technology & Culture 50, no. 3-4 (2021): 99-104. https://doi-org.ezproxy.library.sydney.edu.au/10.1515/pdtc-2022-0008

Featherstone, Daniel, Claire Stuchbery, Sharon Huebner, Lyndon Ormond-Parker and Andrew Dodd. "Archiving First Nations Media: The Race to Save Community Media and Cultural Collections." Australian Aboriginal Studies, no. 1 (2021): 53-68. https://search.informit.org/doi/10.331/INFORMIT.073221909481044
Huebner, Sharon, and John Bradley. "'They Live on in the Photos': The Ontologies of Difference When Recognition Is Given to Descendant Family and Kin Concern for, and Responsibility Toward, Aboriginal Ancestors in Photographs." Visual studies (Abingdon, England) 36, no. 4-5 (2021): 366-384. https://doi.org/10.1080/1472586X.2020.1850209
Marsden, Beth, Ellinghaus, Katherine, O'Neill, Cate, Huebner, Sharon and Ormond-Parker, Lyndon. "Wongatha Heritage Returned: The Digital Future and Community Ownership of Schoolwork from the Mount Margaret Mission School, 1930s-1940s" Preservation, Digital Technology & Culture 50, no. 3-4 (2021): 105-115. https://doi-org.ezproxy.library.sydney.edu.au/10.1515/pdtc-2021-0020
Treloyn, Sally, Charles, Rona Goonginda and O'Connor, Pete Myadooma. "Dancing with the Devil (Spirit): How Audiovisual Collections Reveal and Enact Social and Political Agency in Dance and Song (A Case from the Kimberley)" Preservation, Digital Technology & Culture 50, no. 3-4 (2021): 117-129. https://doi-org.ezproxy.library.sydney.edu.au/10.1515/pdtc-2021-0027
Torwali, Mujahid and Troy, Jakelin. "Saving Torwali Music and Dance: Community Led Performance and 'Public' Archiving" Preservation, Digital Technology & Culture 50, no. 3-4 (2021): 151-163. https://doi-org.ezproxy.library.sydney.edu.au/10.1515/pdtc-2021-0028
Vaarzon-Morel, Petronella, Linda Barwick, and Jennifer Green. "Sharing and Storing Digital Cultural Records in Central Australian Indigenous Communities." New media & society 23, no. 4 (2021): 692-714. https://doi.org/10.1177/1461444820954201

2020

Bracknell, Clint and Linda Barwick. "The Fringe or the Heart of Things? Aboriginal and Torres Strait Islander Musics in Australian Music Institutions". Musicology Australia (2020) 70-84. https://doi.org/10.1080/08145857.2020.1945253

Harris, Amanda. "Representing Australia to the Commonwealth in 1965: Aborigiana and Indigenous Performance." Twentieth-century music 17, no. 1 (2020): 3-22. https://doi.org/10.1017/S1478572219000331
Harris, Amanda. "Indigenising Australian Music: Authenticity and Representation in Touring 1950s Art Songs." Postcolonial studies 23, no. 1 (2020): 132-152. https://doi.org/10.1080/13688790.2020.1727968
Ormond-Parker, Lyndon. 2020. "Aboriginal Trade with Macassan Seafarers. Agora, 55 (3): 3-7. https://search.informit.org/doi/10.3316/informit.543784651825761
Prictor, Megan, Sharon Huebner, Harriet J.A Teare, Luke Burchill, and Jane Kaye. "Australian Aboriginal and Torres Strait Islander Collections of Genetic Heritage: The Legal, Ethical and Practical Considerations of a Dynamic Consent Approach to Decision Making." The Journal of law, medicine & ethics 48, no. 1 (2020): 205-217. https://doi.org/10.1177/1073110520917012
Troy, Jakelin, and Linda Barwick. "Claiming the 'Song of the Women of the Menero Tribe.'" Musicology Australia (2020): 1-23. https://doi.org/10.1080/08145857.2020.1945254

2019

Curran, Georgia, Linda Barwick, Myfany Turpin, Fiona Walsh, and Mary Laughren. "Central Australian Aboriginal Songs and Biocultural Knowledge: Evidence from Women's Ceremonies Relating to Edible Seeds." Journal of ethnobiology 39, no. 3 (2019): 354-370. https://doi.org/10.2993/0278-0771-39.3.354

Huebner, Sharon, and Stella Marr. "Between Policy and Practice: Archival Descriptions, Digital Returns and a Place for Coalescing Narratives." Archives and manuscripts 47, no. 1 (2019): 113-130. https://doi.org/10.1080/01576895.2018.1552161
Ormond-Parker, Lyndon. "Deadline 2025: AIATSIS and the Audiovisual Archive." Archives and manuscripts 47, no. 1 (2019): 3-19. https://doi.org/10.1080/01576895.2019.1567355
Ormond-Parker, Lyndon, and Aaron Corn. "Information Technologies and Indigenous Communities." Archives and manuscripts 47, no. 1 (2019): 1-2. https://doi.org/10.1080/01576895.2019.1587809

2018

Troy, Jakelin, Amanda Harris, Linda Barwick and Matt Poll. " "Not just another song and dance: Aboriginal people performing 'corroborees' in Australia as political and social activism". 9th International THAAP Conference in Collaboration with the Institute for Art and Culture 'Art, Tolerance and Democracy. (2018). Lahore, Pakistan. https://www.researchgate.net/publication/328568335_Not_just_another_song_and_dance_Aboriginal_people_performing_%27corroborees%27_in_Australia_as_political_and_social_activism

EXHIBITIONS

Matt Poll (Curator), 2020. Exhibition: 'Ambassadors'. Chau Chak Wing Museum

Matt Poll (Curator), 2020. Exhibition: 'Gululu dhuwala djalkiri: welcome to the Yolŋu foundations'. Chau Chak Wing Museum

CONFERENCES AND PUBLIC LECTURES

PUBLIC LECTURES AND KEYNOTE PRESENTATIONS

Harris, Amanda with Jacinta Tobin. " Continuity, Change, and Representations of Aboriginal music on public stages." Paper presented at Undergraduate Musicology Conference, Western Sydney University, 2022.
Harris, Amanda. " Women, politics and the "British" String Quartets of Ethel Smyth and Margaret Sutherland." Presented at Diversity and the British String Quartet Symposium, TORCH | The Oxford Research Centre in the Humanities. University of Oxford, 2021. https://www.torch.ox.ac.uk/event/case-studies-in-the-british-string-quartet-women-politics-emigres
Troy, Jakelin and Lesley Woods. "Re-Defining Collaborative Linguistic Research." Presented at Decolonising Linguistics: Spinning a Better Yarn, The Indigenous Alliance for Linguistic Research, Centre of Excellence for the Dynamics of Language, Sydney Centre for Indigenous Research and the Research Unit for Indigenous Language, 2021. https://www.dynamicsoflanguage.edu.au/ialr/decolonising-linguistics-spinning-a-better-yarn/2021-meetings/
Ormond-Parker, Lyndon. "Repatriation and Return I: Why Is It Important? Repatriation - its context and importance," Presented at AIATSIS Summit repatriation stream, 2021. https://aiatsis.gov.au/presentation/repatriation-its-context-and-importance-dr-lyndon-ormond-parker
Poll, Matt. " Articulating Sydney's Aboriginal Past in the Public Realm." Presented at First Nations Speaker Series, Gold Melting Room at the NSW Mint, 2021. https://www.gml.com.au/news/first-nations-speaker-series-matt-poll/
Treloyn, Sally. "The Research Unit for Indigenous Arts and Cultures." Presented at Indigenous Knowledge Institute's 2021 International Day of the World's Indigenous Peoples Symposium, The University of Melbourne, 2021. https://indigenousknowledge.unimelb.edu.au/news/international-day-of-the-worlds-indigenous-peoples-symposium-recording-now-available
Barwick, Linda. " Virtualising song: How can the embedded sociality of song and singing practices best be supported in online digital environments?" Paper presented at Digital Audiovisual Archiving and Community Engagement, The British Library in partnership with The British Forum for Ethnomusicology and the Department of Music, School of Arts, SOAS University of London, 2019. https://www.bl.uk/events/digital-audiovisual-archiving-and-community-engagement#
Barclay, Leah, Nick Enfield, Monica Gagliano and Jakelin Troy. " The language of trees." Presented at 'Talking Trees' Series, Museum of Contemporary Art, Sydney, 2019. https://www.mca.com.au/whats-on/talking-trees/
Treloyn, Sally. " Making Junba good in the Kimberley: Applied (ethnomusicological) research and its discontents." Presented at Nulungu Talking Heads Seminar Series, University of Notre Dame, Sydney, 2019. https://www.notredame.edu.au/__data/assets/pdf_file/0018/94104/Talking-Heads-Presenter-Flyer-Sally-Treylon,-Johnny-Divilli-and-Rona-Charles.pdf

We have presented research on this project at the following conferences:

Callaway Centre Research Seminar, University of Western Australia, 2022.
Urgent Histories: Australian Historical Association Conference, Deakin University, 2022.
Music in the Pacific World: Change and Exchange Through Sound and Memory. First Conference of the IMS Study Group on the Global History of Music, Taipei, Taiwan, 2021.
International Australian Studies Association Biennial Conference: Reinventing Australia, The Australian Catholic University, Sydney, 2021.
The Society for Ethnomusicology 65th Annual Meeting 'Musical Activism and Agency: Contestations and Confluences,' Ontario, Canada, 2020.
History on Wednesday, University of Sydney, 2020.
Symposium on Indigenous Music and Dance and Symposium on Indigenous Arts and Culture in the Academy, The University of Melbourne, 2020.
Narrating Music and Social Change Symposium, Sydney Conservatorium of Music, 2019.
Australian Historical Association Annual Conference: 'Local Communities, Global Networks', University of Southern Queensland, 2019.
Foundation for Endangered Languages Conference XXII. Endangered Languages and the Land; Mapping Landscapes of Multilingualism, Reyjavík, Iceland, 2018.
Australian Historical Association Conference 2018: The Scale of History,Australian National University, 2018.
Through the Looking Glass: The 41st Musicological Society of Australia (MSA) National Conference and 17th Symposium on Indigenous Music and Dance, Edith Cowan University, 2018.
Music and Ethnography Study Group, Sydney Conservatorium of Music, 2018.